This book marks a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and wor…
The essays collected in this book reflect some of the commitments and changes during the period that saw the women's movement shift into feminism and the development of feminism's involvement with the politics of representation, psychoanalytic film…
Citizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh…
Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television…
This collection contains a collection of Laura Mulvey's writing, ranging from analyses of Xala, Citizen Kane, and Blue Velvet to an extended engagement with the work of the American Indian artist Jimmie Durham and the feminist photographer Cindy She…
'Death 24 x a Second' addresses key questions of film theory, semiotics, spectatorship and narrative brought about by new methods of viewing film, and the breakdown of linear narrative structure.
Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of Briti…
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and coverin…
